Labels: 2015, committe, TDC

Dance: A form of art. The rhythmic movement of the body on stage is like the fine paint brush on the canvas paper, and the music -our buncho.

Dance is non-verbal communication that can only be described as a universal language. A language with different dialects, is like a dance with different styles. After the success of 'Rock The Stance: A dance production' that was held at the beginning of the year, Taylor's Dance Club Subang Jaya hereby presents Production II: Dancing Through Time. A twist in production two that not only showcases eight styles but in accordance to the time line history of the dance itself.

As the clock struck Eight, the theater doors closed and the lights went off. The opening act took the stage with all eight styles compiled into one performance. All styles performing to Mr.brightside-The killers (violin cover) not only wooed the audience with a teaser but manage to pull off a classical song to the hippest street dance.

After the inspiring speeches given by the club counselor, special guests and the president of the dance club, the emcee enthusiastically presented the first style performing that night- contemporary. Contemporary was inspired in the year 1900s using dance techniques such as ballet and modern dance, drawing movements from outside the realm of classical techniques to suit its style. They presented a piece using Roxanne-The Police as their lure of entertainment.

Known for its sensual hip action and sexy flair, Latin dance ruled the stage next with its energetic and sassy movements. Out of the five dance styles Latin consist of, the dancers presented three, namely the cha-cha, jive and samba. Fast paced and jitterbug steps sends the crowd applauding for more. The latin partners danced in closed, tight position that makes the environment sultry and physical, making it an entertaining breathtaking performance.

In Popping the dancers showcased their amazing body control and isolation skills as they popped and locked their way back to 1970s feel. In their neatly pressed smart formal wear and the casual fedora, the quick contracting and relaxing muscles brought back the funky style that even Michael Jackson can't master.

The dancers then proceeded to show gravity who's boss in B-Boy. They pulled off spectacular moves that shouldn't be possible, all while showing off their 'tude and rocking to the beat. The boys were also joined by an equally impressive B-Girl, Camilyn. Synchronity is hard to achieve when you're upside down and spinning, but somehow they managed to pull it all off with flair.

As the stage lights flipped on for Hip Hop, the dancers strutted forward and got their funk on. It is an energetic form of dancing that allows the performers to dance with freedom of movement ,adding their own personality.

After a short intermission, whereby guests was served with refreshments and sweets, sexy ladies in turquoise and black burst into action in Girlstyle. At times sensual and at other energetic, they thoroughly displayed the might of girl power as they transitioned from song to song.

Then, in perhaps the most ball-sy performance yet, Christie De La Santo appeared on stage by herself and wow-ed the audience with a Belly Dance drum solo. Isolating and shimmying different parts of her body in time with the music, she entertained the audience with her intestinal fortitude and grace.

Then to add an international twist to the event, TDC presented a Kpop piece. The costume changes were numerous, the moves sharp and sexy or cute and sweet. The piece ended with a bang when the seniors took the stage in costumes so hot you could have fried an egg just being in their presence. They danced to the song 'Dr Feel Good' and managed to evoke enthusiastic response from the audience. Very enthusiastic response.

Last but not least LA Style hit the stage, the brother of hip hop that is more lyrically based. Choreographer Mark and Li Yon combined sweat and blood producing a fresh piece compromising sharp fast movements and emotions to relate to the 21st century. As the last step came to an end with "Go Hard or Go Home", performers of all pieces hit the stage once again to perform the finale piece 'On the floor' by JLO, choreographed by Alexander Osborne.

Approximately 70 over dancers stood on stage that night and wallowed in the pride and glory of performing, but nothing compares to the inner achievement of being apart of Taylor's dance club's biggest event of the year. Part of the profit earned through production was donated to the Living Hope Organization in TDC's honor. The impact of Production II had its desired effect, leaving everyone with a hope of improvement and self satisfactory.

Labels: dancing through time, Production II, RE:Production, TDC

by EN QUAN CHUAH
for the Campus Plus Newsletter

With a long string of successful events under its belt, the Taylor’s Dance Club Subang Jaya pulled of yet another entertaining night in the form of a dance production. Aptly named ‘Rock the Stance’, the aim of the event was to showcase seven forms of street dance with the exception of Contemporary.

The event started off with a performance by the resident campus crew, SOML to get the crowd cheering. The Popping team in vests and slacks soon made their way on stage in an animated fashion. Using clever bits of choreography, the group of gentlemen showed of some fundamental Boogaloo and Animation styles of Popping.

Next up was Girl Style with a cheeky slant. Hippy like clothing added to the overall charm of the girl dancers. Touted as the most popular dance style in college, the Bboy crew followed up with what is commercially known as break dancing. While the opening was amusing, the Bboys shed that image for that of confidence and style. A couple of aggressive foot work and stunts later, the breakers trooped of stage without even breaking sweat.

Moments later, K-Pop or Korean Pop was brought to life on stage with well known routines seen on television. The entire group dressed in suede black and towering heels pulled of an energetic and robust performance with at least twenty songs in the mix. Judging from the reaction of the audience, the influence of the Korean entertainment industry was not to be taken lightly. An interview with the choreographer Iylia, proved that point as she was not only self taught with the aid of Youtube, she managed to pick up the Korean language along the way.

And what would street dance be without Hip Hop? The dance sequence proved that Hip Hop is indeed still alive with new and old influences thrown in. The choreographer, Machi even took the opportunity to showcase Locking, an upbeat and funky dance style rarely performed nowadays. While Hip Hop was cool and loose, Contemporary was a pool of emotions and sweeping movements. The dancers pranced in joy and wept in sorrow as the crowd soaked it all up.

Last but not least, was Los Angeles (LA) style, a modern form of hip hop that has sharper movements and is lyrically based. A total of 4 choreographers produced 3 pieces that differed entirely in content. Each borrowed movements from Hip Hop and Jazz but delivered well in terms of musicality. As a final act, every dancer gathered on stage ala High School Musical to groove along and show appreciation to anyone that made the event a success.

Dance was of course the main core of the event, but little things like the introductory videos at the start of each performance brought more of an educational approach to the audience. With just 29 dancers and the desire to spread dance culture, the Taylor’s Dance Club not only rocked the stance but also the hearts of parents, lecturers and friends alike.

For more information on dancing try Google or the friendlier alternative of dropping by the dance studio (CPU building), Mondays to Fridays, 2-6 p.m.

Labels: campus plus, past performances, production, RTS, TDC